“Sound That Carries the Story, and Music That Stays With It”
Sound is not the last step. It is where a scene becomes believable, where tension lands, and where an audience decides to feel something. I work across the whole chain — location sound, sound design, foley, dialogue editing, mix and original score — so the film arrives as one piece rather than a stack of departments. Films I have worked on have won at festivals in Brazil, and been selected in Spain, Mexico, Italy, Peru, the United States and the United Kingdom.
Sound Design & Foley: Built from scratch for the film, not from libraries. On Estalos, over 6,000 individually placed foley clicks, synced to the protagonist's movements, became the core sonic device of the picture — and the film won Best Short Fiction at the 1st Dedallus Play Festival.
Full Film Mix & Dialogue Editing: Delivered to spec, mixed in a room built for it, with stems and deliverables your post house will not send back.
Custom Original Scores: Unique compositions written to your narrative tone and emotional arc — and, when the score is someone else's, recording and mixing that serve the composer's intention rather than overwrite it.
International Reach: Work selected by festivals across six countries, and recorded at Abbey Road Studios.
Fast Turnaround: Delivered professionally, matched to your post-production timeline.
“Experience Highlights from My Film Scoring Portfolio”
Experience Highlights from My Film Portfolio
Seu Albuquerque — e Outras Histórias das Telecomunicações no Piauí (feature documentary, dir. Ajosé Fontinelle) Location Sound, Foley, Editing, Mix & Original Score 🏆 Best Feature Documentary — 1st Dedallus Play Film Festival, 2026 🏆 Best Film and Best Editing — 19th Encontro Nacional de Cinema e Vídeo dos Sertões, 2025
Estalos (dir. F. Monteiro Júnior) Sound Design, Foley & Mix — over 6,000 individually placed foley clicks synced to the protagonist's movements, a core sonic device of the film. 🏆 Best Short Fiction — 1st Dedallus Play Film Festival, 2026 🏆 Troféu Cacto de Ouro 2024 — Best Director, Best Screenplay, Best Editing, Best Actor 🎬 Official Selection — Lift-Off Sessions (United Kingdom), True Colors Festival shortlist (United States), 8th Insólito International Fantastic Film Festival (Peru)
Nuvem Negra (dir. Flávio Andrade, with Jean-Claude Bernardet) Sound Mixing — credited on screen as Mixagem de Som: Iago Guimarães / Casinha Lab 🏆 Best Original Short Fiction Story, People's Choice — HUMANO International Human Rights Festival, Mexico, 2019 🏆 Best Fiction — 2º Festival de Cinema de Santa Teresa, 2019 🏆 Best Film — 4º Curta Canedo, 2019 🎬 Official Selection — Flyway Film Festival (USA), Kansas City Underground Film Festival (USA), ASA Humanitarian Film Festival, 14º Festival de Cinema de Marbella (Spain), 42º Guarnicê, 14º Fest Aruanda, Festival de Cinema de Caruaru, Festival de Cinema de Três Passos, 2º Festival Mazzaropi, 11º CineFest, FESTCiMM Garanhuns, III ROTA, 7ª Mostra de Curtas Araçá, Inhapim Cine Festival — over twenty selections
Légua Tirana (Luiz Gonzaga biopic, dir. Diogo Fontes & Marcos Carvalho) Recording & Mixing of the Original Score, composed by Wagner Miranda with Hermeto Pascoal and Naná Vasconcelos 🏆 Best Original Score, Best Film (Official & Popular Jury), Best Screenplay, Best Art Direction, Best Actor — 15º Festival de Cinema de Triunfo, 2024
Natureza Forte (TV series, Futura TV — national coverage) Recording & Mixing of the Original Score across all 12 episodes, composed & performed by Wagner Miranda. Sound and mastering across both seasons.
Babaçu Love (feature, dir. Cícero Filho — with Whindersson Nunes) Sound Design, Audio Editing & Score Mixing — as credited by the producer, TvM Filmes 🎬 Official Selection — 16th National Feature Competition, 33rd Vitória Film Festival, 2026
Atrofia (series, dir. Geisla Fernandes & Wllyssys Wolfgang) Mixing & Sound Design 🏆 Best Production — FestCine 2019 🏆 Best Direction — Gato Preto International Horror Film Festival 🎬 Official Selection — 6º NIAFFS (Spain), FESTPRO (Russia), Cinefantasy International Fantastic Film Festival (Brazil), Mostra Sesc de Cinema 2019
Necropolis (dir. Ítalo Oliveira) — first film Sound Design & Mix 🏆 Best Horror Film — 4th Cine Tamoio Festival 🏆 Best Director & Best Cinematography — Festival de Cinema do Vale do Pindaré 🎬 Official Selection — Fiorenzo Serra Film Festival (Italy), Cinefantasy, Mostra Sesc de Cinema, Cine Horror, Floripa Que Horror!, Quimerama, Boca do Inferno and others — more than a dozen selections in total
Guerra do Pau de Colher (feature) Mixing & Mastering
Meduna — Quem Sabe Onde Está a Loucura? (documentary) Original Soundtrack